So, as you may have noticed from my posts earlier this week, I've fallen totally behind on all things strike-related. Thus this post will not be about that.
What shall I speak about? Let's talk about revivals. Recently I've heard around town that a certain Invisible Woman, let's call her, I don't know, Honey, is in talks to do Speed-the-Plow in the UK. I hear it might actually happen, which is more than I can say for Mr. Spacey's other attempts to get Hollywood stars out to appear with him. Remember all of those Philadelphia Story rumors? Who was actually reported as fact? Calista Flockhart? I certainly think Honey would be more of a get than Flockhart would have been. (Of course, Flockhart is a stage actress and Honey isn't, but, we all know I'm in favor of random celebrities taking to the stage.)
Anyway, this is a big year for Speed-the-Plow. I mean, it's a big year for any play that has Alicia Silverstone in a production of it anywhere. And I gotta ask--why? Is this a play we've all been thinking we need to see again? I mean, I feel like "been there, done that, moved on." Though, if you've all been waiting for it, congratulations. But there was just a big production of it in London in 2000. I don't know...
Godspell has got me thinking about this. I feel like, I just saw Godspell. I saw it off-Broadway. I saw a concert of it. I saw it at Paper Mill. Wait, so, I did just see it. Well, maybe not just, but.... And the thing about that Paper Mill production was that it was cleverly staged but it no way made me think "Broadway." Actually, the clever staging made it more comical and lively, but, um, it also made it seem more minor. It seemed small. So, yeah, sure, Adam Epstein is giving all of these quotes about how he was shocked to know it hasn't been on Broadway in a long time, but--who cares that it hasn't been on Broadway in a long time?!?! There are tons of people out there that love Godspell and I'm sure they'll enjoy this production... But have you all been sitting out there thinking "I need Godspell at a Shubert theater NOW!"? Honestly, tell me if you have, because I'm really curious. And, for those of you who are excited about it, do you think it will succeed without a star?
You know, there are things that don't seem great on paper but end up being huge hits. Maybe this is one of those. They are billing it as "From the composer of Wicked" because we all know people go see shows based on the composer. That happens so often. So, yeah, that's the way. But let's forget about that for now...
This doesn't look good on paper to me. I just don't see it working in a Broadway house for an extended run. If it gets great reviews, then they'll be good, but, for that to happen, I think they are going to need a very tiny house. And can you run a musical for profit in a very tiny house? These are the things that have to be assessed. With Xanadu's great Times review and low, low running cost, they still probably won't recoup. Unless Godspell somehow becomes a Rent for young Christians (which is a possibility), I don't see it happening.
Again, there are things that just happen magically on that stage. Stay tuned for that.
Meanwhile, yes, today was the union strike vote. Authorized. Duh. Supposedly no strike until December though. Yay? I know I said this post wasn't about that and it wasn't, but, if you are too bored to read more Times coverage (I only recommend Times coverage on this subject), there you go for the big update.
Monday, October 22, 2007
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