And the world goes on, as does the writer's strike. As much as the stagehands strike threatened the Broadway season, now we have this to deal with too. Actors' schedules are all screwed up, thus altering casting for spring/summer productions. So, in other words, we're losing people we should have had.
On the other hand, thinking ahead, the possible SAG actors strike, might give us people we wouldn't ordinarily get. For instance, in February (the time Speed-the-Plow is in London), Jessica Alba and every other leading lady in Hollywood will be rushing to finish all the movies they had on their schedule before shut-down threat time. But this summer they may be free. Alba said on Regis & Kelly that her involvement in the possible Speed-the-Plow Broadway revival was based on whether there was going to be in an actor's strike when a bunch of SAG deals expire June 30. (She also said "it was just talk" and she was "freaked out" and she didn't know if "audiences would want to see" her on Broadway. As for the last point, I personally think she'd generate attention at least. Clearly Jeffrey Richards thinks that too.) I am actually somewhat surprised we're getting SAG stars at all in the winter/spring. Like--shouldn't Terrence Howard be capitalizing on his recent success and fitting in some film just in case? (On an unrelated note--does anyone else think Terrence Howard and Anika Noni Rose are not really a hot combo when you picture them as Brick and Maggie?)
Anyway, I love the idea that a bunch of theater producers are sitting waiting for there to be a SAG actors strike. It's really genius. I have zero idea if there will be an actors strike--I suspect no one knows until after this WGA mess is settled, but, let's muse. (I should say that I personally don't think there will be a SAG strike, but, I'm often wrong.) The question remains--what can it mean for us? If the west coast is heading into the summer with a real threat of another strike, they'll be a rush to get things done and then there could be a scheduling hold. If there is no strike or if it's very short, the question remains how fast the actors will be needed back on that other coast. But, my feeling is, if there is a strong possibility of a strike, you'll suddenly hear a lot about July/August productions of plays with Hollywood stars. I say plays even though I wish this meant we'd see like James Marsden in a new musical... I say plays because plays are easier to put up quickly/cancel without much loss. Of course, another issue becomes the theatre situation. Will we have the houses to fit in a bunch of random limited runs? Only a couple? If we don't have the houses or the strike duration is super uncertain, will we see these people as star replacements? Certainly, the people at Hairspray and Chicago are so keeping track of this. When is Debra Monk leaving Curtains? Maybe some Hollywood person could go in that!
I know a lot of you out there think we shouldn't be waiting on Hollywood folk, but, these people often bring in business. That's the end result. Some are good and some are not. Some sell and some do not. Though even the lowest rent film star would sell more than a Broadway look-alike. But it's all sort of a crap shoot, a sad one at that. And, actually, I find a lot of it ridiculous, but, that's the business we're left with. If only the people who read this blog could sustain the theater industry I assume we'd have a different industry. (If I alone could sustain the theater industry, I would encourage every producer to cast Anne Heche. For real. But apparently others of you have an Anne Heche limit, so like after the first production with her they'd be good for a year or so.)
Anyway, I have other work to do. Work does not stop during blog night. Alas. And even if I could ramble on--would you care? Also--unrelated--does anyone care that the Givenik site that Jujamcyn is acting like just went up was up at least since May (which was the first time I saw it, though it may have been up a while before)? I guess not. A good cause is a good cause, whenever they get around to promoting it. I myself created an account, though I was a little sad to see the big sold-out shows only were offering groups through the site. So like I'd normally tell you all to get Little Mermaid tickets that way--you could support Ariel and a charity of your choosing (though I sort of don't get why my high school is on the list of possibilities) with the same purchase--but, alas, you can't. But buy your A Catered Affair tickets through it. Might as well. Support.
Monday, December 10, 2007
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